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What Saint John gave a Nigerian filmmaker.

Writer: Taiwo Korexcalibur
Taiwo Korexcalibur
19 hours ago
3 min read


Saint John didn't impress me at first.


I'll be honest about that. A small port city, fog rolling off the bay, quiet in a way that can feel like something's missing when you've come from a country that's louder, warmer, more crowded with people.


Coming from Nigeria, Abuja precisely, I felt the change abruptly. I had built a career and the work was paying off. All of a sudden, I'm in a new place, I knew no one, and it felt so....quiet.


It's easy to mistake quiet for empty.


Most of the country makes that mistake about this place - the way it quietly overlooks most of the Maritimes. For a little while, I almost did too.


What I couldn't see yet was that I'd walked straight into the biggest change this city had seen in my lifetime. For decades Saint John shrank. People left. The young ones first, the way they leave a lot of old industrial towns.


And then it turned around.


The city is now near 81,000 people, the most who've called it home since the 1980s, growing faster than it has in a generation. New Brunswick as a whole just crossed 800,000 for the first time ever, its fastest growth since the 1970s, and almost all of it is immigration.


People like me.


The quiet little city I'd underestimated was remaking itself one newcomer at a time and I'd landed in the middle of the story without realizing I was in it.


What the city gave me took longer to notice than the fog. It wasn't spectacle; Saint John doesn't dazzle. It did something rarer. It made room. It let me start building something before I'd "earned" my place the way you're always told you have to.


And people showed up. Not the abstract "community," but actual people who held doors open that I had no right to expect open.


Staying is what changed me. Staying past the first winter, past the point where I was a visitor with opinions. Past the job rejections, past the person without 'Canadian Experience'. Past the initial judgements and resentment.


A place only ever shows itself to the people who stay. From the outside, Saint John is a dot you fly over. From the inside, it's a city with vast opportunities in the middle of becoming something. It's full of people starting over, which is about the most human thing a place can be full of.


That's the lesson I keep taking from here: the overlooked places hold the truest stories, precisely because nobody's bothered to tell them. The immigrants hold new experiences that can be explored.


Everyone's aiming cameras at the cities that are already famous. Meanwhile a small harbour town is being reinvented by people from Nigeria, India, Bangladesh, China, Senegal, the Philippines and Ukraine, and almost nobody is keeping the record.


If you're a newcomer reading this, here's what I wish someone had told me on day one: Don't judge a place by its first impression, or its size. Judge it by whether there's room for you to become someone, and by who shows up when you're new. A flashy city with no room for you gives you less than a quiet one that has plenty.


And if you're from here , if this is your city, or your town, or your overlooked corner of anywhere, document it now, while it's still changing.


The newcomer who opened a restaurant this year is next decade's history. The ordinary-looking street is the "before" photo nobody thought to take. Change this fast happens once, and the record of it is slipping away in real time because everyone assumes someone else is keeping it.


So, what did Saint John give a Nigerian filmmaker?


A place to land.


Allies I didn't earn and won't forget. The people and organizations that backed me when I had an idea and a hope and not much else. And something I never expected: a subject worth a whole career. A city reinventing itself, full of people whose stories nobody's telling, in a corner of the country the rest of it flies right over.


I can't pay back the room it made for me with money. I can pay it back with the one thing I actually know how to do.


I can keep the record.


The work I make here, the newcomers, the city, the lives being built in a place that's finally growing again, is partly just that: Saint John, seen properly, by someone who stayed long enough to see it.


That's the trade I'm happy with. The city let me belong. I'll make sure it gets remembered.

 
 
 

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